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In the video, Chris Froome speaks of the remarkable significance of one particular colour (you can guess which!) and the impact it’s had on him. 

Our Creative Director, Oz Smith, says part of the inspiration was the dream-like qualities in the work of Italian filmmaker Leonardo Dalessandro.

“The ramping between scenes makes the narrative feel like a stream of consciousness,” Smith says. “We wanted to combine this style with the old Tour De France posters, which take from the Art Deco era, to create something original.”

The team combined flat vectors and 3D models with live action plates of the cyclist. All the compositing was done on After Effects, with some assets created on Cinema 4D. 

At Jumbla, we love setting ambitious challenges and overcoming them to create works that are original. In this case, the challenge was trying to combine two seemingly incongruent styles: flat poster art with continuously fluid editing.

“The concern wasn’t around creating the elements technically, as we knew we could make them. We were more focused on whether or not we’d be able to achieve the right ‘feel’ and really bring out the spirit of the cyclist’s passion and drive,” says Oz.

“I’m glad it came out the way we wanted it to, even though we didn’t fully know what we were after: we just threw the elements out there and watched it all come back to us, hoping for the best,” he says. “In many ways, we discovered what it looked like as we went.”

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